‘The tale usually told about early 20th century Bloomsbury is one of the artists and activists, the ones who conscientiously objected, lived in squares, and loved in triangles. Michael Boulter adds some obscurer names – leading lights from the life sciences – and from this he concocts a confusing, ugly account of the battle between arts and sciences … this little volume is absorbing.’
Daily Telegraph

‘This deeply personal account is a moving eulogy to intellectual inquiry, education and learning. With wounding cuts, rising fees and falling student numbers, and such extensive and so widely publicized criticism of the higher-education sector, it reminds us that the rights to secular and scientific education were passionately fought for, and acquired, just over one hundred years ago. As practitioners, the short duration of our scientific and intellectual lineage is rendered visible. I enjoyed this work. It will inform disciplinary histories of the social, life and hard sciences and deserves to be read by scientists and historians at all levels and the curious from all walks of life.’
The British Journal for the History of Science

‘I recommend Bloomsbury Sciences: Science and Art in the Wake of Darwin to audiences, in whatever disciplines, who are interested in good storytelling regarding either scientists as lively characters or modern science as an endeavor closely tied to the society. Readers wondering about the split between science and the humanities will be fascinated by the fact that modern science in its early stages worked hand in hand with fine art and literature. Furthermore, I recommend the book to practitioners of the formal and informal education of science history. The book’s non-heroic, decentralized narratives are useful for teaching and explaining history accurately.’
H-Sci-Med-Tech, H-Net Reviews

‘The aims of this study are admirable. As Boulter insists, scientists and humanists have been drawn together by common conceptions of the human for a very long time: collectively, their energy changed the social mood of the late nineteenth century and ushered forth a new synthesis of knowledge in the twentieth. In Bloomsbury Scientists, he highlights the likeness between the two camps but offers a new slant. Indeed, as the sweeping history of the text shows, we, like E. Ray Lankester himself, are always ready for a new turn, but can’t help but be comforted by that which came before.’Journal of British Studies

‘Michael Boulter’s book will certainly appeal, and it is readable and concise.’

Isis: A Journal of the History of Science Society

‘Bloomsbury Scientists gives the general reader a quick snapshot of the landscape that was painted with scientific brushes and evolutionary paint. The story is told with great passion and consideration for the names that contributed to this entangled history of science and arts in Bloomsbury London.’
History: The Journal of the Historical Association

‘A useful refresher on the background, beliefs and work of the key personalities. The descriptions of Bloomsbury are, while not flashy, evocative. It will therefore be a starting point for those interested in the draw and character of Bloomsbury.’Annals of Science