Highlighting the ways in which micro-scale improvements, organised movements, local, national and transnational policies interacted, the book traces the complex history of these spaces. Shantytowns and Modernity in Cold War Buenos Aires deploys an innovative methodology integrating archival research, oral history, mapping, and visual analysis to tell the story of how the villas came into existence both as a conceptual entity and a specific urban typology where people lived and had to defend.

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Though the book recognises that comics have long had a troubled relationship with racialised identities, it demonstrates that comics can also be a powerful tool for antiracist discourses and practices. It delves into the complex nature of racialised inequalities and comics production. It contributes to growing calls for multiracial perspectives, in this case featuring Black, Indigenous, mestizo and Asian-descent artists who use comics to express a shared opposition to racism. The book’s multidisciplinary approach creates a set of networked pathways that cut across disciplines, nations and lines of thought, and, in a gesture towards the hybrid nature of both comics and Latin American philosophies, across visual and written forms.

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The book approaches toys as dispositifs – cultural formations that condense the discourses, institutions, architectural forms, scientific statements and philosophical propositions of Latin America’s Cold War. Drawing on a rich compendium of objects, many inspired by European or US brands, it shows how South American toys incorporated local characters, designs, messages and materials through a process of creative adaptation, thereby acquiring new identities. These and other original artefacts are examined variously as commodities from a once-flourishing industry, as works of art, originators of cultural myths and as training tools for Cold War childhoods. ’Toys are also seen as undervalued expressions of children’s material culture, imbued with the collective memory of a turbulent and contested era.

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The volume focuses on three pillars of this economy: downstream entrepreneurs, bustling garment marketplaces and far-reaching national and regional trade routes. Far from the conventional image of sweatshops as monotonous spaces where creativity is reserved for big brands, the volume reveals workshops where design, trend-sensing and production are tightly woven together around consumer desires and imaginaries. Within these productive units, a differentiated division of labour makes room for experimentation, style innovation and rapid responses to shifting tastes. The garments travel through large, informal marketplaces expressly devoted to low-cost fashion, where traders and buyers meet in dense, dynamic circuits of exchange. These garment-oriented marketplaces, linked to extended informal trade routes, become crucial connectors that compress distribution chains, lower costs and expand access to affordable fashion for broad segments of the population.

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Drawing on essays, curatorial reflections and conversations with contributors from Argentina, Bolivia, Brazil, Chile, Cuba, Ecuador, Guatemala, Martinique, Mexico and Peru, the volume moves across four thematic terrains – counter-genealogies, museums and cultural institutions, the decolonisation of language, and plural temporalities – to show how art unsettles colonial narratives, reshapes knowledge and generates new vocabularies of power.

At its core, the volume makes a bold claim: that Latin American artistic practice is not just transforming the canon but articulating a form of thought – one that theorises, enacts and insists upon other worlds. Essential reading for scholars, curators, artists and students of contemporary art, decolonial thought and Latin American cultural politics.

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The Faces of Authoritarianism and Strategies of Dissent in Contemporary Brazil examines repression and dissent: efforts to dismantle democratic foundations alongside forms of contestation and resistance to authoritarianism. The chapters offer valuable theoretical and ethnographic insights, from interdisciplinary perspectives, into the complex realities that Brazilians experienced in the four years of Bolsonaro’s presidency. The book is organised around four sections, each addressing a core area where democracy, as meaning and practice, was contested, attacked and defended. This is shown not only between Bolsonaro’s government and those who resisted it from within and outside the state, but also between state and non-state actors and between public and private sectors, allowing for a broad view of the country’s polarised political landscape and the impact such struggles have had on civil society.

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The volume comprises a broad range of chapters from scholars across the social sciences and humanities, using various methodological techniques, theoretical traditions and analytic approaches to explore the efficacy and valence of ‘smuggling’ or ‘contraband’ as a lens onto modes of personhood, materiality, statehood and political (dis)connection across Latin America. This material is presented through a combination of historic documentation and contemporary ethnographic research across the region to highlight the genesis and development of these cultural practices whilst grounding them in the capitalist and colonial refashioning of the entire region from the sixteenth century to the present day.

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Early Civilization and the American Modern explores how this teleological story answered anxieties about the United States’ unique role in the long march of progress. Eva Miller focuses on important figures who collaborated on the creation of a visual, progressive narrative in key institutions, world’s fairs and popular media: Orientalist and public intellectual James Henry Breasted, astronomer George Ellery Hale, architect Bertram Grosvenor Goodhue, and decorative artists Lee Lawrie and Hildreth Meière. At a time when new information about the ancient Middle East was emerging through archaeological excavation, ancient Egypt and Mesopotamia appeared simultaneously old and new. This same period was crucial to the development of public space and civic life across the United States, as a shared sense of historical consciousness was actively pursued by politicians, philanthropists, intellectuals, architects and artists.

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The collection aims to develop the field of decolonial gender studies by showcasing interdisciplinary work at the forefront of scholarship. It draws on international expertise through its diverse contributors, including predominately Latin American scholars. There is an urgent need to broaden the perspectives on gender and gender-based activism in Latin America beyond the Southern Cone and Mexico in order to bring the region as a whole into dialogue with global scholarship.

The contributors use the term ‘Andinxs’ as a provocation to encourage scholars of the region to reconsider approaches the politics of gender, sexuality and (de)coloniality. By responding to the question, ‘Who are Andinxs (Andin-exs)?’ the collection interrogates the postcolonial, gendered and political subjectivities currently undergoing dramatic social change in Andean Latin America.

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Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction.

Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.

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