
Architecture of Memory
Exploring (Post-) Jewish Spaces in Eastern Europe
Natalia Romik (Author)
Series: Design Research in Architecture
Architecture of Memory explores architectural disappearance, urban remembrance and functional change amid social upheaval. Using archival, architectural and artistic methods, Natalia Romik investigates the spectral architecture of former shtetls – predominantly Jewish towns in Central and Eastern Europe before World War II. After the war, these towns were repopulated by people of other nationalities, who reused former Jewish properties. Today, traces of the Jewish populations have nearly vanished from urban reality and public discourse. Romik’s work seeks to discover new ways to develop abandoned shtetl architecture, focusing on Jewish heritage sites like synagogue ruins and ritual baths.
Through an interdisciplinary approach that combines architectural design, contemporary art and Jewish studies, Romik’s experimental design research combines the complex social issues of former shtetls by combining theoretical discussions with artistic performances and architectural interventions. The book documents projects ranging from subtle, mirror-clad interventions – such as the Nomadic Shtetl Archive, JAD, and Hurdy-Gurdy – to practical renovations that transform derelict synagogues and Jewish pre-burial houses into historical museums and cultural centres. These efforts confront the ‘present absence’ of these towns by merging theoretical discourse with the documentation of artistic performances and architectural interventions, aimed at investigating the lost Jewish communities’ spectral architecture.
List of figures
Acknowledgements
Introduction
1 The shtetl
2 Nomadism
3 Walking
4 Mirrors
5 Archives
6 Embedment
Conclusion
Bibliography
DOI: 10.14324/111.9781800088979
Publication date: 27 October 2025
PDF ISBN: 9781800088979
EPUB ISBN: 9781800088986
Paperback ISBN: 9781800088962
Natalia Romik (Author) 
Natalia Romik is a practitioner of architecture, designer, book editor and artist. She was awarded a PhD from the Bartlett School of Architecture, UCL and holds a scholarship with the Fondation pour la Meěmoire de la Shoah, Gerda Henkel Foundation. Her work combines academic research with methods of contemporary art and architecture to explore the (post)Jewish architecture of memory.
‘As a severely sight impaired person who loves ‘the arts’ in all their richness, this book challenges the intersection between a range of established, but outdated, views about sight loss and who can and cannot appreciate or make art. While some of the arguments have been rehearsed elsewhere, this book marks the first really coherent approach to setting out just what visually impaired and blind people bring to art as a way of exploring the world, and art that can be appreciated beyond the visual. It powerfully sets out the net contribution of sight loss to human creative endeavour and the experience of appreciating that output that I can relate to.’
Anna Tylor, Chair of Trustees, RNIB

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