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Marble in the Making

Ireland’s geological bedrock, though often overlooked, contains an exceptional range of varicoloured marbles comparable to continental varieties and in some cases superior. Marble in the Making focuses on Victorian Ireland, an architectural landscape characterised by neo-Gothic design and the high point of indigenous marble production. It demonstrates that the architecture of this period is distinguished by native polychromy, a feature that was shaped by the resurgence of Gothic architecture and driven by post-Famine entrepreneurship and industrialisation.

This is the first major study of Irish marble. It uncovers the largely unheard-of marble industry by tracing stone from quarry source to marble works to building. The book’s interdisciplinary approach identifies key marble deposits and their distinctive characteristics, outlines workshop and quarry practices, reconstructs trade paths and reveals connections between communities. It enables a holistic and contextual attribution of architectural marble and broadens the understanding of nineteenth-century Irish Gothic Revival architecture. Moreover, this research repositions Irish marble within an international framework, highlighting its contribution to transnational material culture and geological heritage.

Voices for Change

Voices For Change is a groundbreaking history of environmental activism across the four nations of the UK since the early 1970s, revealed in first-hand testimony by some of those who were most closely involved. It highlights the lived experiences of generations of environmental campaigners engaged in a wide variety of protest, projects and policy during this period, from grassroots actions in local communities to the leadership of major national organisations. The book draws on a unique archive of one hundred in-depth life-history interviews with environmental campaigners involved in action on a wide range of concerns, from conservation and transport to energy and climate change. It situates the experience of activism biographically and historically, exploring the role of family, region, class, ethnicity, gender and generation in the lives of participants in the key campaigns of the period. The voices of campaigners whose contributions have never been widely recognised appear here, alongside some of the most high-profile, including Jonathan Porritt, Caroline Lucas, George Monbiot, Jane Goodall and Swampy. There are also links to hundreds of freely-available audio clips and associated transcripts from the interview archives. Together, these voices highlight the achievements and the challenges of activism across more than 50 years, revealing diverse and unsung stories from the movement. Through this focus on life stories, the book provides a vital resource for today’s environmental activists, throwing new light on the diverse origins, forms and impacts of their campaigns.

The Contemporary Medieval in Practice

Contemporary arts, both practice and methods, offer medieval scholars innovative ways to examine, explore, and re-frame the past. Medievalists offer contemporary studies insights into cultural works of the past that have been made or re-worked in the present. Creative-critical writing invites the adaptation of scholarly style using forms such as the dialogue, short essay, and the poem; these are, the authors argue, appropriate ways to explore innovative pathways from the contemporary to the medieval, and vice versa. Speculative and non-traditional, The Contemporary Medieval in Practice adapts the conventional scholarly essay to reflect its cross-disciplinary, creative subject.

This book ‘does’ Medieval Studies differently by bringing it into relation with the field of contemporary arts and by making ‘practice’, in the sense used by contemporary arts and by creative-critical writing, central to it. Intersecting with a number of urgent critical discourses and cultural practices, such as the study of the environment and the ethics of understanding bodies, identities, and histories, this short, accessible book offers medievalists a distinctive voice in multi-disciplinary, trans-chronological, collaborative conversations about the Humanities. Its subject is early medieval British culture, often termed Anglo-Saxon Studies (c. 500-1100), and its relation with, use of, and re-working in contemporary visual, poetic, and material culture (after 1950).

Redefining Russian Literary Diaspora, 1920-2020

Over the century that has passed since the start of the massive post-revolutionary exodus, Russian literature has thrived in multiple locations around the globe. What happens to cultural vocabularies, politics of identity, literary canon and language when writers transcend the metropolitan and national boundaries and begin to negotiate new experience gained in the process of migration?

Redefining Russian Literary Diaspora, 1920-2020 sets a new agenda for the study of Russian diaspora writing, countering its conventional reception as a subsidiary branch of national literature and reorienting the field from an excessive emphasis on the homeland and origins to an analysis of transnational circulations that shape extraterritorial cultural practices. Integrating a variety of conceptual perspectives, ranging from diaspora and postcolonial studies to the theories of translation and self-translation, World Literature and evolutionary literary criticism, the contributors argue for a distinct nature of diasporic literary expression predicated on hybridity, ambivalence and a sense of multiple belonging. As the complementary case studies demonstrate, diaspora narratives consistently recode historical memory, contest the mainstream discourses of Russianness, rewrite received cultural tropes and explore topics that have remained marginal or taboo in the homeland. These diverse discussions are framed by a focused examination of diaspora as a methodological perspective and its relevance for the modern human condition.

Invisible Reconstruction

What does it really mean to reconstruct a city after a natural, biological or man-made disaster? Is the repair and reinstatement of buildings and infrastructure sufficient without the mending of social fabric? The authors of this volume believe that the true measure of success should be societal. After all, a city without people is no city at all.
Invisible Reconstruction takes the view that effective disaster mitigation and recovery require interdisciplinary tactics. Historian Lucia Patrizio Gunning and urbanist Paola Rizzi expand beyond the confines of individual disciplines or disaster studies to bring together academics and practitioners from a wide variety of disciplines, comparing strategies and outcomes in different scenarios and cultures from South America, Europe and Asia.

From cultural heritage and public space to education and participation, contributors reflect on the interconnection of people, culture and environment and on constructive approaches to strengthening the intangible ties to increase resilience and reduce vulnerability.

By bringing practical examples of how communities and individuals have reacted to or prepared for disaster, the publication proposes a shift in public policy to ensure that essential physical reinforcement and rebuilding are matched by attention to societal needs. Invisible Reconstruction is essential reading for policymakers, academics and practitioners working to reduce the impact of natural, biological and man-made disaster or to improve post-disaster recovery.

Medical Humanity and Inhumanity in the German-Speaking World

Medical Humanity and Inhumanity in the German-Speaking World is the first volume dedicated to exploring the interface of medicine, the human and the humane in the German-speaking lands.

The volume tracks the designation and making through medicine of the human and inhuman, and the humane and inhumane, from the Middle Ages to the present day. Eight individual chapters undertake explorations into ways in which theories and practices of medicine in the German-speaking world have come to define the human, and highlight how such theories and practices have consolidated, or undermined, notions of humane behaviour. Cultural analysis is central to this investigation, foregrounding the reflection, refraction and indeed creation of these theories and practices in literature, life-writing and other discourses and media.Contributors bring to bear perspectives from literary studies, film studies, critical theory, cultural studies, history, and the history of medicine and psychiatry. Thus, this collection is historical in the most expansive sense, for it debates not only what historical accounts bring to our understanding of this topic. It encompasses too investigation of life-writing, documentary, and theory and literary works to bring to light elusive, paradoxical, underexplored – yet vital – issues in history and culture.

Central Peripheries

Central Peripheries explores post-Soviet Central Asia through the prism of nation-building. Although relative latecomers on the international scene, the Central Asian states see themselves as globalized, and yet in spite of – or perhaps precisely because of – this, they hold a very classical vision of the nation-state, rejecting the abolition of boundaries and the theory of the ‘death of the nation’. Their unabashed celebration of very classical nationhoods built on post-modern premises challenges the Western view of nationalism as a dying ideology that ought to have been transcended by post-national cosmopolitanism.

Marlene Laruelle looks at how states in the region have been navigating the construction of a nation in a post-imperial context where Russia remains the dominant power and cultural reference. She takes into consideration the ways in which the Soviet past has influenced the construction of national storylines, as well as the diversity of each state’s narratives and use of symbolic politics. Exploring state discourses, academic narratives and different forms of popular nationalist storytelling allows Laruelle to depict the complex construction of the national pantheon in the three decades since independence. The second half of the book focuses on Kazakhstan as the most hybrid national construction and a unique case study of nationhood in Eurasia.

Based on the principle that only multidisciplinarity can help us to untangle the puzzle of nationhood, Central Peripheries uses mixed methods, combining political science, intellectual history, sociology and cultural anthropology. It is inspired by two decades of fieldwork in the region and a deep knowledge of the region’s academia and political environment.

War Essays

Cover of the book War Essays by Zainab Bahrani, published by UCL Press. The cover features an abstract, burnt and weathered parchment design with fragments of red and black imagery.

More than 20 years have passed since Iraq was invaded in an illegal war, justified on the basis of falsified evidence. Operation Iraqi Freedom led to untold human suffering and massive destruction, the ruinous consequences of which persist to this very day. The war and occupation also had a devastating impact on the history and heritage of Iraq, a land ironically seen as the cradle of civilisation. The scale of theft and destruction of heritage sent shockwaves around the world that had radical consequences for the trade in antiquities and museum practices across the globe, and contributed to a paradigm shift in the discipline of archaeology.

In War Essays Zainab Bahrani charts the devastation, cultural cleansing and targeted erasure of Iraq’s past, and argues that the topics of archaeology, history and memory must be analysed within the larger geopolitical issues of the contemporary Middle East. The essays present a counter-narrative of events that historicize the position of the historian and illustrate the enduring colonial practices of archaeology. Set within a narrative that reflects at once upon the violence of war and the processes of writing, an archaeologist’s personal journey unfolds. War Essays intertwines the autobiographical with the historical and analytical aspects of scholarship, weaving an eye-witness account of war with theoretical discussions around writing, the relationship of monuments, historical landscapes and memory, and how one’s sense of place in the world is disrupted by war.

Heritage and Nationalism

How was the Roman Empire invoked in Brexit Britain and in Donald Trump’s United States of America, and to what purpose? And why is it critical to answer these kinds of questions? Heritage and Nationalism explores how people’s perceptions and experiences of the ancient past shape political identities in the digital age. It particularly examines the multiple ways in which politicians, parties and private citizens mobilise aspects of the Iron Age, Roman and Medieval past of Britain and Europe to include or exclude ‘others’ based on culture, religion, class, race, ethnicity, etc.

Chiara Bonacchi draws on the results of an extensive programme of research involving both data-intensive and qualitative methods to investigate how pre-modern periods are leveraged to support or oppose populist nationalist arguments as part of social media discussions concerning Brexit, the Italian Election of 2018 and the US-Mexican border debate in the US. Analysing millions of tweets and Facebook posts, comments and replies, this book is the first to use big data to answer questions about public engagement with the past and identity politics. The findings and conclusions revise and reframe the meaning of populist nationalism today and help to build a shared basis for the democratic engagement of citizens in public life in the future. The book offers a fascinating and unmissable read for anyone interested in how the past and its contemporary legacy, or ‘heritage’, influence our ‘political’ thinking and feeling in a time of hyper-interconnectivity.

Student London

Students have formed a significant part of London’s population since the foundation of its first university in 1826, and Student London centres their experiences in the city’s history. To tell the 200-year story of student life in the capital this book draws on a rich source base that ranges from institutional records to college magazines, court reports to secret service files, and many hundreds of student memoirs and oral histories. It offers a detailed examination of life at the original London University (known as University College London since 1836) alongside many other institutions that eventually joined with UCL. Student London captures a diverse range of higher education experiences across medical schools, teacher training colleges and specialist institutes. A sweeping history of an ever-changing city, the book engages in much greater depth with London’s imperial history than earlier studies of higher education. It examines students’ everyday lives, fees and funding, collegiate cultures, social and political engagement, physical and mental health, recreation, sports and leisure. In doing so, it charts changing student attitudes to class, race, gender, sex and sexuality across two centuries.

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