digital humanities Archives

The King’s Dinner

The King’s Dinner is about what it meant to be British at the end of the eighteenth century. Drawing on the vast kitchen ledgers of two royal households made newly available to research through digitisation, the authors study the role and influence of food in understanding British identity. Analysing trade routes, migration, agricultural changes, recipes, and flavours they argue that Britishness was more complex and more multicultural than previously recognised.

Starting at George III’s Kew Palace and the Prince Regent’s Carlton House, then moving in ever wider circles, the book considers the significance of food for understanding the royal family, the wider British population, their European neighbours, and the British and colonised people in the Atlantic world and the Indian subcontinent. With a growing overseas empire, Britain was an increasingly powerful nation, and the ability to choose was one of the ways this power was exercised. The cuisine that emerged was complex, with wealthy Britons adopting, adapting, or rejecting the foods of European enemies and allies or colonised peoples and places. ‘Britishness’ was an ever-shifting balance of European multiculturalism, imperial ambition, tradition and experimentation, a messy mix that reveals the entanglement of cultures and cuisines, continually changed by the people who cook and eat the food.

Emergent Histories

For generations, artefacts and information of all kinds have been assembled in diverse collections across the UK. Museum objects, archives, pictures, moving images and media, records of historical places, even datasets derived from state, commercial and individual activity, all have been catalogued and stored. Yet in most museums and galleries, only a tiny proportion of physical collections are shown in public displays, with vast stores kept in reserve for research, although researchers rarely come. Great repositories of cultural capital, the knowledge they hold has been largely untapped – until now.

For nearly half a century, heritage organisations have created digital inventories of their collections. Inspired by the prospect of combining these records so they may be explored together, the Congruence Engine research project set out to build digital bridges and pathways between collections dedicated to the UK’s industrial history for textiles, energy and communications. Launched in 2021, Congruence Engine navigated the generative AI revolution that commenced a year later. As a result, Emergent Histories is by turns a reflection on the historical and curatorial possibilities arising from collections, a digital history how-to manual, and a narrative of the tribulations of AI early adopters. It will be of interest to historians, curators, students – and to anyone who cares for the industrial aspects of our past.

The Web as History

The World Wide Web has now been in use for more than 20 years. From early browsers to today’s principal source of information, entertainment and much else, the Web is an integral part of our daily lives, to the extent that some people believe ‘if it’s not online, it doesn’t exist.’ While this statement is not entirely true, it is becoming increasingly accurate, and reflects the Web’s role as an indispensable treasure trove. It is curious, therefore, that historians and social scientists have thus far made little use of the Web to investigate historical patterns of culture and society, despite making good use of letters, novels, newspapers, radio and television programmes, and other pre-digital artefacts.

This volume argues that now is the time to question what we have learnt from the Web so far. The 12 chapters explore this topic from a number of interdisciplinary angles – through histories of national web spaces and case studies of different government and media domains – as well as an introduction that provides an overview of this exciting new area of research.

Thomas Cranmer’s Register

Thomas Cranmer’s Register records turbulent change in England and Wales between 1533 and 1553. The crown abolished Roman jurisdiction, and the first steps towards the creation of a Protestant state were made. As archbishop of Canterbury, Thomas Cranmer was a seminal figure in these developments, and his register is a key Reformation document.

The physical register at Lambeth Palace has been out of reach for many scholars. Paul Ayris’s extraordinary edition makes more of the text available to readers than ever before, with transcriptions and editorial introductions that illuminate the sometimes cryptic sixteenth-century text. Here, the appointment of Cranmer to Canterbury (at the hands of the papacy) in 1533 is recorded. Commissions and letters reveal how the crown assumed authority over the church and, through Thomas Cromwell as vicegerent in spirituals, supplanted the role of the archbishop as the principal minister of the king’s spiritual jurisdiction. The work suggests a new explanation for the inclusion/exclusion of the stipulation in the 1536 royal Injunctions concerning the Bible in English. Moreover, unpublished records for the diocese of Norwich in 1550 reveal that the order for removing altars in English churches emanated from Thomas Cranmer not, as is usually thought, from the bishop of London, Nicholas Ridley. This edition will be a touchstone reference for global scholars of the Tudor period.

Published in association with the Canterbury and York Society

On Making in the Digital Humanities

On Making in the Digital Humanities fills a gap in our understanding of digital humanities projects and craft by exploring the processes of making as much as the products that arise from it.

The volume draws focus to the interwoven layers of human and technological textures that constitute digital humanities scholarship. To do this, it assembles a group of well-known, experienced and emerging scholars in the digital humanities to reflect on various forms of making (we privilege here the creative and applied side of the digital humanities). The volume honours the work of John Bradley, as it is totemic of a practice of making that is deeply informed by critical perspectives. A special chapter also honours the profound contributions that this volume’s co-editor, Stéfan Sinclair, made to the creative, applied and intellectual praxis of making and the digital humanities. Stéfan Sinclair passed away on 6 August 2020.

The chapters gathered here are individually important, but together provide a very human view on what it is to do the digital humanities, in the past, present and future. This book will accordingly be of interest to researchers, teachers and students of the digital humanities; creative humanities, including maker spaces and culture; information studies; the history of computing and technology; and the history of science and the humanities.

Navigating Artificial Intelligence for Cultural Heritage Organisations

The question of how artificial intelligence and machine learning should be applied to data in libraries and other cultural institutions is a challenge shared by heritage professionals, computer scientists and digital humanities scholars.

As the number of digitised and born-digital records grows, archival practices are looking to automated systems to manage workloads and make cultural records more accessible. AI is playing a crucial role in data management systems within the cultural heritage sector, and information professionals are looking for ways to navigate current challenges and opportunities. Additionally, sector professionals and scholars are benefiting from the many new affordances and innovative research questions offered by using large-scale digital collections as data.

Navigating Artificial Intelligence for Cultural Heritage Organisations explores the innovative technologies and approaches to digitised and born-digital records within libraries and archives across the UK and US, and beyond. It brings together chapters from experts across the fields of digital humanities, computer science and information science, alongside professionals within the library and archival sector. The authors explore technologies being applied to digitised and born-digital records within libraries, archives and other heritage organisations, including innovative approaches in computer vision, Chat GPT, and user experience. The volume has been designed to reflect current and state-of-the-art technologies and innovations for the preservation and accessibility of digitised and born-digital records, to help navigate the future of AI for cultural heritage organisations.

Millicent Garrett Fawcett

‘Courage calls to courage everywhere’ is the best-known phrase associated with Millicent Garrett Fawcett (1847-1929), the leading UK suffragist and campaigner of the late 19th and early 20th centuries. But what is the source of her quote, and what is its context?

This book reproduces Fawcett’s essential speeches, pamphlets and newspaper columns to tell the story of her dynamic contribution to public life. Thirty-five texts and 22 images are contextualised and linked to contemporary news coverage as well as to historical and literary references. These speeches, articles, artworks and photographs cover both the advances and the defeats in the campaign for women’s votes. They also demonstrate a variety of the topics and causes Fawcett pursued: the provision of education for women; feminist history; a love of literature (and Fawcett’s own attempt at fiction); purity and temperance; the campaign against employment of children; the British Army’s approach to the South African War; the Unionist cause against Home Rule for Ireland; and the role of suffrage organisations during World War I. Here is a rich, intertextual web of literary works, preferred reading material, organisations, contacts, friends, and sometimes enemies, that reveals Fawcett the individual throughout 61 years of campaigning. The first scholarly appraisal of Fawcett in over 30 years, this is essential reading for those wishing to understand the varied political, social and cultural contributions of Dame Millicent Garrett Fawcett.

Context in Literary and Cultural Studies

Context in Literary and Cultural Studies is an interdisciplinary volume that deals with the challenges of studying works of art and literature in their historical context today. The relationship between art works and context has long been a central concern for aesthetic and cultural disciplines, and the question of context has been asked anew in all eras. Developments in contemporary culture and technology, as well as new theoretical and methodological orientations in the humanities, once again prompt us to rethink context in literary and cultural studies. This volume takes up that challenge.

Introducing readers to new developments in literary and cultural theory, Context in Literary and Cultural Studies connects all disciplines related to these areas to provide an interdisciplinary overview of the challenges different scholarly fields today meet in their studies of art works in context. Spanning a number of countries, and covering subjects from nineteenth-century novels to rave culture, the chapters together constitute an informed, diverse and wide-ranging discussion.

The volume is written for scholarly readers at all levels in the fields of Literary Studies, Comparative Literature, Cultural Studies, Art History, Film, Theatre Studies and Digital Humanities.

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