Publication date: 21 November 2022
DOI: https://doi.org/10.14324/111.9781800082984
Number of illustrations: 120
What Photographs Do
The making and remaking of museum cultures
Elizabeth Edwards (Editor), Ella Ravilious (Editor)
Series: V&A co-publications
Published in association with: V&A
What are photographs ‘doing’ in museums? Why are some photographs valued and others not? Why are some photographic practices visible and not others? What value systems and hierarchies do they reflect?
What Photographs Do explores how museums are defined through their photographic practices. It focuses not on formal collections of photographs as accessioned objects, be they ‘fine art’ or ‘archival’, but on what might be termed ‘non-collections’: the huge number of photographs that are integral to the workings of museums yet ‘invisible’, existing outside the structures of ‘the collection’. These photographs, however, raise complex and ambiguous questions about the ways in which such accumulations of photographs create the values, hierarchies, histories and knowledge-systems, through multiple, folded and overlapping layers that might be described as the museum’s ecosystem.
These photographic dynamics are studied through the prism of the Victoria and Albert Museum, London, an institution with over 150 years’ engagement with photography’s multifaceted uses and existences in the museum. The book differs from more usual approaches to museum studies in that it presents not only formal essays but short ‘auto-ethnographic’ interventions from museum practitioners, from studio photographers and image managers to conservators and non-photographic curators, who address the significance of both historical and contemporary practices of photography in their work. As such this book offers an extensive and unique range of accounts of what photographs ‘do’ in museums, expanding the critical discourse of both photography and museums.
Praise for What Photographs Do
‘What Photographs Do, combines recent and urgent questions in the history of photography and museum practice with essays from often invisible museum practitioners, such as museum photographers, digital teams and conservators. As a result, this is the first book-length investigation of the material and human traces of what Elizabeth Edwards and Sigrid Lien have called the ecosystem of photographic images in GLAM (Galleries, Libraries, Archives and Museums) settings’
Science Museum Group Journal
‘offer(s) a rare internal point of view on their relationship to the photographic object and its place in the functioning of the institution.’
Critique D’Art
‘What Photographs Do offers an illuminating tour through the various areas of the diverse museum, in which photography is part of everyday working practice in very different ways – the photographic machine rooms, so to speak, that underpin and enable all museum work. The connecting bracket is the institution under consideration. In the best sense of the word, it is an anthology that can also appeal to readers with a wide range of interests, but more at the level of individual contributions than the volume as a whole. It is all the more pleasing that the publication was published as an open access edition and access to the individual articles, all of which are worth reading, is easily possible’
Rundbrief Fotographie
‘This volume has great scope and will be particularly relevant to institutions with an expansive photographic culture and to museum professionals with responsibilities for collections and non-collections of photographs.’
Museum Worlds
List of figures List of contributors
Acknowledgements
Foreword
Joanna Norman
Museum Cultures of Photography: an introduction
Elizabeth Edwards and Ella Ravilious
Part I Disseminations
1 Little marks of ownership: photographic postcards and the culture of the museum, 1913-39
Elizabeth Edwards
2 The museum and the image factory: the South Kensington Museum, the Brothers Dalziel, and the making of Victorian museum catalogues
Bethan Stevens
3 The image as asset
Tom Windross
Part II Collections
4 The official museum photographer: Isabel Agnes Cowper
Erika Lederman
5 Photographing the Eltenberg Reliquary
Ken Jackson
6 Photographing theatre and performance
Graham Brandon
PART III Histories
7 Collecting India: Photographs, pedagogy and power
Divia Patel
8 The digitised Guard Books: another history
Steve Woodhouse
PART IV Reworkings
9 Condition report: drawing things together
Simon Fleury
10 Revisiting the K.A.C. Creswell photographs of Islamic architecture
Omniya Abdel-Barr
11 Two dimensions among three: museum photography in the V&A’s refurbished Cast Courts
Angus Patterson
PART V Visibilities
12 A submerged collection: photographs in the National Art Library, 1853-1977
Ella Ravilious
13 Revitalising research: the fall and rise of the furniture image collection
Kate Hay
PART VI Digital
14 In the Photographic Studio
Richard Davis
15 The backs of things
George Eksts
16 Computations and complications: Value systems of institutional photography
Catherine Troiano
Afterword
Duncan Forbes
Index
DOI: 10.14324/111.9781800082984
Number of illustrations: 120
Publication date: 21 November 2022
PDF ISBN: 9781800082984
EPUB ISBN: 9781800083011
Hardback ISBN: 9781800083004
Paperback ISBN: 9781800082991
Elizabeth Edwards (Editor)
Elizabeth Edwards is a visual and historical anthropologist and has written extensively about the institutional life of photographs, especially in museums. She was Andrew W. Mellon Professor at the Victoria and Albert Museum Research Institute, London 2016-22. She is Professor Emerita of Photographic History at De Montfort University, Leicester, and also Honorary Professor in the Department of Anthropology UCL. She was elected a Fellow of the British Academy in 2015.
Ella Ravilious (Editor)
Ella Ravilious is Curator: Architecture and Design in the Art, Architecture, Photography and Design Department at the V&A. She is studying part-time for an AHRC-funded PhD on the history of the V&A's photography collection at the Photographic History Research Centre at De Montfort University, Leicester.
‘offer(s) a rare internal point of view on their relationship to the photographic object and its place in the functioning of the institution.’
Critique D’Art
‘What Photographs Do, combines recent and urgent questions in the history of photography and museum practice with essays from often invisible museum practitioners, such as museum photographers, digital teams and conservators. As a result, this is the first book-length investigation of the material and human traces of what Elizabeth Edwards and Sigrid Lien have called the ecosystem of photographic images in GLAM (Galleries, Libraries, Archives and Museums) settings’
Science Museum Group Journal
‘What Photographs Do offers an illuminating tour through the various areas of the diverse museum, in which photography is part of everyday working practice in very different ways – the photographic machine rooms, so to speak, that underpin and enable all museum work. The connecting bracket is the institution under consideration. In the best sense of the word, it is an anthology that can also appeal to readers with a wide range of interests, but more at the level of individual contributions than the volume as a whole. It is all the more pleasing that the publication was published as an open access edition and access to the individual articles, all of which are worth reading, is easily possible’
Rundbrief Fotographie
‘This volume has great scope and will be particularly relevant to institutions with an expansive photographic culture and to museum professionals with responsibilities for collections and non-collections of photographs.’
Museum Worlds
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