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Although Brazil is the largest Afro-descendant country outside of Africa, the literature produced by Black Brazilians is mostly unknown both in Brazil and abroad. There is a growing worldwide demand for Afro-descendant literature and a demand for decolonial practices and content, especially within Lusophone literature and literature across the Americas.
Contemporary Afro-Brazilian Short Fiction emerges from a UCL-sponsored collaborative translation project, bridging Afro-Brazilian literature with a global audience to respond to the worldwide call for Afro-diasporic narratives. This unique compilation of 21 short stories includes both established and emerging Afro-Brazilian voices. The anthology is bilingual, fostering cross-cultural understanding and affirming the legitimacy of pretoguês as a literary language. The texts are presented with three insightful contributions by Ana Cláudia Suriani da Silva (UCL), Julio Ludemir (Flup) and Maria Aparecida Andrade Salgueiro (UERJ). The introductions not only contextualise the short stories, but also engage in theoretical debates, shedding light on the role of literary translation in language teaching and the impact of the Literary Festival of the Peripheries (Flup) in forming a new generation of Black Brazilian writers.
Although Brazil is the largest Afro-descendant country outside of Africa, the literature produced by Black Brazilians is mostly unknown both in Brazil and abroad. There is a growing worldwide demand for Afro-descendant literature and a demand for decolonial practices and content, especially within Lusophone literature and literature across the Americas.
Contemporary Afro-Brazilian Short Fiction emerges from a UCL-sponsored collaborative translation project, bridging Afro-Brazilian literature with a global audience to respond to the worldwide call for Afro-diasporic narratives. This unique compilation of 21 short stories includes both established and emerging Afro-Brazilian voices. The anthology is bilingual, fostering cross-cultural understanding and affirming the legitimacy of pretoguês as a literary language. The texts are presented with three insightful contributions by Ana Cláudia Suriani da Silva (UCL), Julio Ludemir (Flup) and Maria Aparecida Andrade Salgueiro (UERJ). The introductions not only contextualise the short stories, but also engage in theoretical debates, shedding light on the role of literary translation in language teaching and the impact of the Literary Festival of the Peripheries (Flup) in forming a new generation of Black Brazilian writers.
‘A collective portrait of Black Brazil that, despite occasional translational infelicities, makes good on the anthology’s ambition with bitter irony and verve.’ Asymptote
‘this volume is a much-needed platform for the dissemination of a group of writers who have been historically marginalized. It succeeds in conveying the Afro-Brazilian essence in its stories through a carefully conceived, sensitive, and intellectually rigorous editorial project. Amid its plurality, what ultimately stands out is the coherence and force of Afro-Brazilian voices in dialogue. Moreover, the opportunity to engage with the editors’ individual reflections and to follow their reasoning throughout the book’s development is a rare and valuable feature that can serve as a model for future initiatives of this kind’ Cadernos de Tradução
‘Contemporary Afro-Brazilian Short Fiction highlights generational voices spanning from the Quilombhoje literary movement to newly published authors. This bilingual anthology promises to be an asset to the ever-growing Afro-Brazilian literary canon. The gift to scholars and enthusiasts of Afro-Diaspora literature is the access to brilliantly rich creative works.’ Antonio D. Tillis, Rutgers University-Camden
‘This collection showcases the most compelling Black prose penned in contemporary Brazil bringing together a remarkable convergence of generations in a bilingual edition. Each story is imbued with Black consciousness, transformed into the art of words, offering a powerful portrayal of both present-day and historical Brazil.’ Eduardo de Assis Duarte, Universidade Federal de Minas Gerais
Ana Cláudia Suriani da Silva (Editor)
Ana Cláudia Suriani da Silva is Associate Professor of Brazilian Studies, UCL.
Julio Ludemir (Editor)
Julio Ludemir is a published author, journalist and the CEO of the Literary Festival of the Peripheries (Flup).
Maria Aparecida Andrade Salgueiro (Editor)
Maria Aparecida Andrade Salgueiro is Full Professor at the State University of Rio de Janeiro (UERJ) and researcher 1D at CNPq and FAPERJ.
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