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Central Peripheries

Central Peripheries explores post-Soviet Central Asia through the prism of nation-building. Although relative latecomers on the international scene, the Central Asian states see themselves as globalized, and yet in spite of – or perhaps precisely because of – this, they hold a very classical vision of the nation-state, rejecting the abolition of boundaries and the theory of the ‘death of the nation’. Their unabashed celebration of very classical nationhoods built on post-modern premises challenges the Western view of nationalism as a dying ideology that ought to have been transcended by post-national cosmopolitanism.

Marlene Laruelle looks at how states in the region have been navigating the construction of a nation in a post-imperial context where Russia remains the dominant power and cultural reference. She takes into consideration the ways in which the Soviet past has influenced the construction of national storylines, as well as the diversity of each state’s narratives and use of symbolic politics. Exploring state discourses, academic narratives and different forms of popular nationalist storytelling allows Laruelle to depict the complex construction of the national pantheon in the three decades since independence. The second half of the book focuses on Kazakhstan as the most hybrid national construction and a unique case study of nationhood in Eurasia.

Based on the principle that only multidisciplinarity can help us to untangle the puzzle of nationhood, Central Peripheries uses mixed methods, combining political science, intellectual history, sociology and cultural anthropology. It is inspired by two decades of fieldwork in the region and a deep knowledge of the region’s academia and political environment.

Anti-Atlas

The invasion of Ukraine is the latest in a series of upheavals that have made eastern Europe a telling point from which to consider the place of area studies in the construction of knowledge about the world. The politics of academic knowledge about ‘areas’ now feels more urgent than ever.

Anti-Atlas plays with the politics of the conventional atlas, with its assumptions about knowledge and power, its hierarchies of value, and its simplifications. It presents a collection of essays written by an eclectic mix of authors from Europe, both east and west, the UK and North America. These entries analyse a necessarily incomplete selection of topics, but they all engage with the question of how an approach to area can be ‘critical’ – and each entry demonstrates different aspects of criticality. The editors develop a manifesto for such criticality, calling attention to positions that are heterodox, area-informed or vernacular, ‘undisciplined’, and collaborative. Through a variety of genres, including the scholarly article, the travel guide, autobiographical reflections and data visualisations, Anti-Atlas provides readers with a diverse series of intellectual resources, asking them to think critically about the ways in which we construct the world by dividing it into pieces.

Russian Pendulum

In Russian Pendulum, Alena Ledeneva takes readers on a compelling journey to Russia, where tradition, modernity, power and people collide. Through the prism of ambivalence, the author unveils patterns that have shaped Russia’s politics and society for centuries, pointing to an intricate system of informal networks that are held together by practices of cooptation, control and camouflage.

For readers seeking to look beyond stereotypes, this book provides a brief yet nuanced exploration of Russia’s complexity and unpredictability. The ever-moving Russian pendulum dwells on paradoxes and the hidden practices that resolve them. Patterns such as doublethink, double standards, zigzags, cascades, waves and tides are captured in the author’s own artworks that introduce each chapter.

Nine musical compositions by Benjamin Woodgates add a further dimension, exploring these paradoxes, practices and patterns, and realising them in sound.

Drawing on the Global Informality Project (www.in-formality.com), the artwork and the music, Russian Pendulum establishes connections between Russia’s distinctive paradoxes and broader patterns of informality found worldwide. It is ideal for students, scholars and anyone seeking to understand hidden yet increasingly powerful forces.

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