DSBJ Archives

Affective Crisis and the Possibility of Attachment

Affective Crisis and the Possibility of Attachment offers a comparative critical study of contemporary fiction. It intervenes in discussions about contemporary fiction in its literary-historical relationship to postmodernism and in its socio-historical relationship to neoliberalism. It argues that contemporary literature is dominated by affective questions that are rooted in, but not fully subsumed by, neoliberalism: ‘How can I experience reality (as real)?’; ‘How can I feel attached to someone?’ This ‘affective dominant’ signals a diachronical shift from postmodernist fiction’s pervasive epistemological and ontological reflections to a focus on questions of an affective nature in contemporary fiction. It also offers a perspective on contemporary fiction as mediating neoliberalism’s double-edged dynamics of commodifying affective experience while privatising collective experience.

The book argues that contemporary fiction develops emergent mediations of neoliberal dynamics, with the affective crises the latter yield. It studies this affective crisis in relation to central themes as identity and climate crisis, and through prevalent contemporary genres as autofiction and coming-of-age narratives. The book explores a transnational corpus, including authors Heike Geissler, Ben Lerner, Édouard Louis, Valeria Luiselli, Ling Ma, Lieke Marsman, Mohamed Mbougar Sarr, Niña Weijers and Alejandro Zambra, amongst others.

Space, Affect, Memory

Space, Affect, Memory highlights the centrality of space in modern and contemporary culture, both as an object of study and as a concept that underpins research and creative practice. In so doing, this book argues for the necessity of a new approach to space which integrates its affective and memorial dimension.

Contributors from different fields explore and advance debates in literary geography from diverse transnational perspectives through close readings of canonical and less familiar cultural and literary productions in English, Spanish, Portuguese, French, Italian and Japanese, in locales spanning Africa, the Americas, Asia and Europe. In this way, Space, Affect, Memory decentres the anglophone bias of established scholarly approaches in literary geography, probing terminologies and methodologies from different national traditions.

Finally, Space, Affect, Memory interweaves the visual arts by engaging with photography, performance and architecture. As a result, the volume offers a fresh, comparative perspective on the intermingling of space, affect and memory that lies at the heart of literary geography and comparative literature. These efforts converge in a shared attempt to pluralize the field (geographies) and to showcase the numerous possibilities of creative, transdisciplinary interaction between media, performance and representation, across cultures.

American Cities in Post-Apocalyptic Science Fiction

Visions of the American city in post-apocalyptic ruin permeate literary and popular fiction, across print, visual, audio and digital media. American Cities in Post-Apocalyptic Science Fiction explores the prevalence of these representations in American culture, drawing from a wide range of primary and critical works from the early-twentieth century to today.

Beginning with science fiction in literary magazines, before taking in radio dramas, film, video games and expansive transmedia franchises, Robert Yeates argues that post-apocalyptic representations of the American city are uniquely suited for explorations of contemporary urban issues. Examining how the post-apocalyptic American city has been repeatedly adapted and repurposed to new and developing media over the last century, this book reveals that the content and form of such texts work together to create vivid and immersive fictional spaces in ways that would otherwise not be possible. Chapters present media-specific analyses of these texts, situating them within their historical contexts and the broader history of representations of urban ruins in American fiction.

Original in its scope and cross-media approach, American Cities in Post-Apocalyptic Science Fiction both illuminates little-studied texts and provides provocative new readings of familiar works such as Blade Runner and The Walking Dead, placing them within the larger historical context of imaginings of the American city in ruins.