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Polish Cities of Migration

Polish Cities of Migration analyses how Poland is transitioning to a new identity as a ‘country of immigration’, although its ‘country of emigration’ identity remains strong outside a handful of bigger cities. The book explores two interconnected puzzles: how Poland’s migration transition is influenced by the fact that it is simultaneously a country of emigration, and why migrants are spreading out beyond the metropolises, often settling with their families in smaller cities with limited labour markets, cities from which Poles themselves continue to migrate. It argues that migrants’ feeling of comfort in such locations can be explained mostly by network and lifestyle considerations. These link to impressions that local Poles – who used to be migrants themselves, and/or have family and friends abroad – possess pragmatic and accepting attitudes towards migration, particularly from Ukraine.

The book is based on in-depth interviews with 37 Polish return migrants, 70 Ukrainians and 17 other foreigners living in Kalisz, Płock and Piła. Key concepts include migration culture, livelihood strategies and place attachment. The analysis is situated within a wide range of existing secondary literature and contributes towards understanding the impact of migration on Poland, Ukrainian labour migration and wider global migration processes in the twenty-first century.

Leagues of Laughter

Leagues of Laughter traces how a Soviet-created youth game changed as students’ nation states collapsed, competed and went to war. The game, called KVN (Klub veselykh i nakhodchivykh, or Club of the Cheerful and Clever), spread to universities across the USSR in the 1960s. It is scored by a panel of judges, like figure skating, but is played in school and university leagues, much like football. KVN rocketed to mass popularity, oddly, due to Soviet censorship.

Young people could not protest in essays, speeches or fiction, but the referents of live jokes are hard to prove. KVN became a forum for Aesopian free speech. Soviet pedagogues promoted the game as a wholesome, intellectual youth activity, leading to a preponderance of ordinary schoolchildren gaining at least some experience writing jokes. Even after the fall of the USSR, millions of young people across the former Soviet bloc continued playing KVN in schools, universities and semi-pro leagues. Drawing on fieldwork in Russia and Ukraine between 2015 and 2019, Garey compares KVN traditions in two post-Soviet nation states at war. A series of interconnected, cross-border stories spanning 60 years illustrates how laughter and oppression entwined in the long cultural context of the war in Ukraine.

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