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Church Courts and the People in Seventeenth-Century England

Religion meant far more in early modern England than church on Sundays, a baptism, a funeral or a wedding ceremony. The Church was fully enmeshed in the everyday lives of the people; in particular, their morals and religious observance. The Church imposed comprehensive regulations on its flock, and it employed an army of informers and bureaucrats, headed by a diocesan chancellor, to enable its courts to enforce the rules. Church courts lay, thus, at the very intersection of Church and people.

The courts of the seventeenth century – when ‘a cyclonic shattering’ produced a ‘great overturning of everything in England’ – have, surprisingly, had to wait until now for scrutiny. Church Courts and the People in Seventeenth-Century England offers a detailed survey of three dioceses across the whole of the century, examining key aspects such as attendance at court, completion of business and, crucially, the scale of guilt to test the performance of the courts.

While the study will capture the interest of lawyers to clergymen, or from local historians to sociologists, its primary appeal will be to researchers in the field of Church history. For students and researchers of the seventeenth century, it provides a full account of court operations, measuring the extent of control, challenging orthodoxies about excommunication, penance and juries, contextualising ecclesiastical justice within major societal issues of the times and, ultimately, presents powerful evidence for a ‘church in danger’ by the end of the century.

Between Design and Making

The seventeenth and eighteenth centuries represent a high point in the intersection between design and workmanship. Skilled artisans, creative and technically competent agents within their own field, worked across a wide spectrum of practice that encompassed design, supervision and execution, and architects relied heavily on the experience they brought to the building site. Despite this, the bridge between design and tacit artisanal knowledge has been an underarticulated factor in the architectural achievement of the early modern era.

Building on the shift towards a collaborative and qualitative analysis of architectural production, Between Design and Making re-evaluates the social and professional fabric that binds design to making, and reflects on the asymmetry that has emerged between architecture and craft. Combining analysis of buildings, archival material and eighteenth-century writings, the authors draw out the professional, pedagogical and social links between architectural practice and workmanship. They argue for a process-oriented understanding of architectural production, exploring the obscure centre ground of the creative process: the scribbled, sketched, hatched and annotated beginnings of design on the page; the discussions, arguments and revisions in the forging of details; and the grappling with stone, wood and plaster on the building site that pushed projects from conception to completion.

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