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Postcolonial Air and Atmospheres

This volume reopens and revitalises debates on the materialities of air and atmospheres, including practices of breathing, in a multitude of postcolonial and Southern hemispheric contexts. It probes the limits, and extends the narrow spatial purview, of much of the emerging scholarship, considering historical questions of air and enslavement alongside South Asian histories of air-conditioning and the drifting toxic atmospheres of water bodies of the African South.

While studies of both land and water have recently worked increasingly at the intersection of environmental humanities and postcolonial and decolonial studies, this has been less the case with air and atmospheres, and the latter have been only sporadically developed as material and political subjects of research in the majority world and the hemispheric South. Affective atmospheres born of dust, damp, wind and sound; unfree and impure airs shaped by histories of inequality; and modes and manners of breathing, whether asthmatically, interoceptively, laboriously or as a means of creating an artwork, all reinvigorate our understanding of aerial elemental media. Throughout, the book explores ways to recalibrate forms of air, atmospheres and breathing for a more productively entangled, relational, regenerative and just world.

Anti-Atlas

The invasion of Ukraine is the latest in a series of upheavals that have made eastern Europe a telling point from which to consider the place of area studies in the construction of knowledge about the world. The politics of academic knowledge about ‘areas’ now feels more urgent than ever.

Anti-Atlas plays with the politics of the conventional atlas, with its assumptions about knowledge and power, its hierarchies of value, and its simplifications. It presents a collection of essays written by an eclectic mix of authors from Europe, both east and west, the UK and North America. These entries analyse a necessarily incomplete selection of topics, but they all engage with the question of how an approach to area can be ‘critical’ – and each entry demonstrates different aspects of criticality. The editors develop a manifesto for such criticality, calling attention to positions that are heterodox, area-informed or vernacular, ‘undisciplined’, and collaborative. Through a variety of genres, including the scholarly article, the travel guide, autobiographical reflections and data visualisations, Anti-Atlas provides readers with a diverse series of intellectual resources, asking them to think critically about the ways in which we construct the world by dividing it into pieces.

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