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Ethics and Aesthetics of Translation

Ethics and Aesthetics of Translation engages with translation, in both theory and practice, as part of an interrogation of ethical as well as political thought in the work of three bilingual European authors: Bernardo Atxaga, Milan Kundera and Jorge Semprún. In approaching the work of these authors, the book draws upon the approaches to translation offered by Benjamin, Derrida, Ricœur and Deleuze to highlight a broad set of ethical questions, focused upon the limitations of the monolingual and the democratic possibilities of linguistic plurality; upon our innate desire to translate difference into similarity; and upon the ways in which translation responds to the challenges of individual and collective remembrance.

Each chapter explores these interlingual but also intercultural, interrelational and interdisciplinary issues, mapping a journey of translation that begins in the impact of translation upon the work of each author, continues into moments of linguistic translation, untranslatability and mistranslation within their texts and ultimately becomes an exploration of social, political and affective (un)translatability. In these journeys, the creative and critical potential of translation emerges as a potent, often violent, but always illuminating, vision of the possibilities of differentiation and connection, generation and memory, in temporal, linguistic, cultural and political terms.

Reconnoitring Russia

Like many European countries during the Great Age of Discovery and Exploration, Russia embarked on policies of state building, exploration and imperial expansion. At the beginning of the fourteenth century, the territory under Moscow’s control was about twenty thousand square kilometres. By 1800 Russia’s empire had expanded to some eighteen million square kilometres. Russia had thus become one of the world’s greatest empires.

By focusing on such geographical practices as exploring, observing, describing, mapping and similar activities, Reconnoitring Russia seeks to explain how Russia’s rulers and its educated public came to know and understand the territory of their expanding state and empire, especially as a result of the modernizing policies of such sovereigns as Peter the Great and Catherine the Great. It places the Russian experience into a comparative context, showing how that experience compares with those of other European countries over the same period. The book adopts a broad chronological framework, exploring the age between 1613 when the Romanov dynasty assumed power and 1825, the conclusion of Alexander I’s reign, or what is often termed the end of the ‘long eighteenth century’.

Antarcticness

Antarcticness joins disciplines, communication approaches and ideas to explore meanings and depictions of Antarctica. Personal and professional words in poetry and prose, plus images, present and represent Antarctica, as presumed and as imagined, alongside what is experienced around the continent and by those watching from afar. These understandings explain how the Antarctic is viewed and managed while identifying aspects which should be more prominent in policy and practice.

The authors and artists place Antarctica, and the perceptions and knowledge through Antarcticness, within inspirations and imaginations, without losing sight of the multiple interests pushing the continent’s governance as it goes through rapid political and environmental changes. Given the diversity and disparity of the influences and changes, the book’s contributions connect to provide a more coherent and encompassing perspective of how society views Antarctica, scientifically and artistically, and what the continent provides and could provide politically, culturally and environmentally.

Offering original research, art and interpretations of different experiences and explorations of Antarctica, explanations meld with narratives while academic analyses overlap with first-hand experiences of what Antarctica does and does not – could and could not – bring to the world.

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