design research Archives

Houses of Flood, Silt and Shadow

Houses of Flood, Silt and Shadow explores how architecture can engage with the performative and poetic to challenge dominant discourses that prioritize technological and scientific responses to the climate crisis. The book showcases how architecture that manifest conditions of the performative and poetic can foster embodied and emotional awareness of the environment – highlighting its fragility and unpredictability – to deepen our understanding of climate change.

The book operates as a critical and propositional enquiry, moving fluidly between architectural design practice, art practice, and historical and theoretical research. Structured around three main chapters, it focuses on four of Matthew Butcher’s speculative architectural design projects: Flood House (2016), Silt House (2015), Bang Bang House (2017) and Measure House (2017). These works exist as drawings, models and 1:1 built structures, and are presented in dialogue with the practices of environmental architects and artists who influenced them, such as architects Raimund Abraham and Gianni Pettena, artists Alan Kaprow and Robert Morris, and performance artist Joan Jonas. Butcher argues that these historical figures offer vital inspiration for alternative forms of architectural design today. Their work viscerally emphasizes – through physical and emotional experience – natural processes such as growth and decay, entropy, weather patterns and celestial forces.

Dwelling on the Future

Dwelling on the Future focuses on the design of dwellings and their varied environments, and questions how an architect responds to the challenge of providing humane places in which to live for a growing, multifarious population in an increasingly divided world. The issue is never just housing. People – individuals, groups and societies – can and do have different goals and aspirations. Is it possible to imagine and implement a world in which a level of comfort and stability is available for even the poorest members of societies?

Pierre d’Avoine covers a wide range of examples, including proposals for luxury housing and designs for low-cost dwellings, which all address the needs and desires of their potential inhabitants. He explores an inclusive approach to the design of settlements – and not just in cities – that recognises difference, an approach that demands a fresh political vision to resolve humanity’s increasing inequality, for the benefit of all. D’Avoine asks if we can respond with optimism to the Kabakovs’ mordantly titled installation ‘Not Everyone Will Be Taken Into the Future (2001)’. While this was perhaps a statement of fact in Russia and elsewhere in the Soviet Union during the Cold War, it is implicit, and ever more so, in the West today.

Rethinking the Pavilion

Rethinking the Pavilion investigates one unique project in detail, the Vajrasana Buddhist Retreat Centre in rural Suffolk, completed by Walters & Cohen Architects in 2018. The result was an innovative building typology that has never been designed before in any western country. The process by which the Vajrasana project came into existence has come to define and shape the way in which the practice makes architecture, through a deepened understanding of how buildings can exert powerful social impacts on all who use them.

It was the Vajrasana Buddhist Retreat Centre project that enabled Walters & Cohen Architects to shift the focus away from the ideal pavilion to the social pavilion. While pavilions are usually seen as finished objects, this book argues that they can be seen as a process, namely a social process. The book describes how shared experience defines a new way of working towards an architecture that rediscovers and enriches its communal purpose. The ethos of Walters & Cohen’s practice has thus become one that encourages a broader conversation about architecture, with buildings seeking to convey a raw sense of place and to reduce the many complexities of site and programme to the simplest arrangement and expression.

Architecture in Dialogue with an Activated Ground

Architecture in Dialogue with an Activated Ground sets out to validate the role of the unreasonable in the design process.

Using case study projects, architect Urs Bette gives an insight into the epistemological processes of his creative practice, and unveils the strategies he deploys in order to facilitate the poetic aspects of architecture within a discourse whose evaluation parameters predominantly involve reason. Themes discussed include the emergence of space from the staged opposition between the architectural object and the site, and the relationship between emotive cognition and analytic synthesis in the design act. In both cases, there is a necessary engagement with forms of ‘unreasonable’ thought, action or behaviours.

By arguing for the usefulness and validity of the unreasonable in architecture, and by investigating the performative relationship between object and ground, Bette contributes to the discourse on extensions, growth and urban densification that tap into local histories and voices, including those of the seemingly inanimate – the architecture itself and the ground it sits upon – to inform the site-related production of architectural character and space. In doing so, he raises debates about the values pursued in design approval processes, and the ways in which site-relatedness is both produced and judged.