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Collections Management as Critical Museum Practice

There is a common misconception that collections management in museums is a set of rote procedures or technical practices that follow universal standards of best practice. This volume recognises collections management as a political, critical and social project, involving considerable intellectual labour that often goes unacknowledged within institutions and in the fields of museum and heritage studies.

Collections Management as Critical Museum Practice brings into focus the knowledges, value systems, ethics and workplace pragmatics that are foundational for this work. Rather than engaging solely with cultural modifications, such as Indigenous care practices, the book presents local knowledge of place and material which is relevant to how collections are managed and cared for worldwide. Through discussion of varied collection types, management activities and professional roles, contributors develop a contextualised reflexive practice for how core collections management standards are conceptualised, negotiated and enacted. Chapters span national museums in Brazil and Uganda to community-led heritage work in Malaysia and Canada; they explore complexities of numbering, digitisation and description alongside the realities of climate change, global pandemics and natural disasters. The book offers a new definition of collections management, travelling from what is done to care for collections, to what is done to care for collections and their users. Rather than ‘use’ being an end goal, it emerges as a starting point to rethink collections work.

Methods and Methodologies in Heritage Studies

Methods and Methodologies in Heritage Studies offers succinct, easily accessible analyses of the disciplinary debates, intellectual legacies and practical innovations that have led to understandings of heritage value today.

Through a diverse collection of expert voices, this volume invites readers to embark on their own journeys through appropriate methodologies for research and public engagement. Readers can draw on analyses of key problem areas and argumentative interventions to create a roadmap for the many disciplinary approaches that converge on heritage studies.

Oriented specifically towards learning and teaching heritage across archaeology, anthropology, history and geography, this textbook is designed to support critical, ethical heritage students, researchers and practitioners.

A Contemporary Archaeology of London’s Mega Events

A Contemporary Archaeology of London’s Mega Events explores the traces of London’s most significant modern ‘mega events’. Though only open for a few weeks or months, mega events permanently and disruptively reshape their host cities and societies: they demolish and rebuild whole districts, they draw in materials and participants from around the globe and their organisers self-consciously seek to leave a ‘legacy’ that will endure for decades or more.

With London as his case study, Jonathan Gardner argues that these spectacles must be seen as long-lived and persistent, rather than simply transient or short-term. Using a novel methodology drawn from the field of contemporary archaeology – the archaeology of the recent past and present-day – a broad range of comparative studies are used to explore the long-term history of each event. These include the contents and building materials of the Great Exhibition’s Crystal Palace and their extraordinary ‘afterlife’ at Sydenham, South London; how the Festival of Britain’s South Bank Exhibition employed displays of ancient history to construct a new post-war British identity; and how London 2012, as the latest of London’s mega events, dealt with competing visions of the past as archaeology, waste and heritage in its efforts to create a positive legacy for future generations.

This book offers significant new directions for the study of mega events in its comparison of how three mega events changed London over three centuries. Drawing on a varied selection of theoretical and methodological frameworks and a rich array of sources, it demonstrates the great potential of contemporary archaeology for re-examining recent processes of urban transformation.

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