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Experiments with Body Agent Architecture

Experiments with Body Agent Architecture puts forward the notion of body agents: non-ideal, animate and highly specific figures integrated with design to enact particular notions of embodied subjectivity in architecture. Body agents present opportunities for architects to increase imaginative and empathic qualities in their designs, particularly amidst a posthuman condition.

Beginning with narrative writing from the viewpoint of a body agent, an estranged ‘quattrocento spiritello’ who finds himself uncomfortably inhabiting a digital milieu (or, as the spiritello calls it, ‘Il Regno Digitale’), the book combines speculative historical fiction and original design experiments. It focuses on the process of creating the multi-media design experiments, moving from the design of the body itself as an original prosthetic to architectural proposals emanating from the body.

A fragmented history of the figure in architecture is charted and woven into the designs, with chapters examining Michelangelo’s enigmatic figures in his drawings for the New Sacristy in the early sixteenth century, Gian Lorenzo Bernini’s physically ephemeral ‘putti’ adorning chapels and churches in the seventeenth century, and Austrian artist-architect Walter Pichler’s personal and prescient figures of the twentieth century.

Space Syntax

Professor Bill Hillier spent most of his career at The Bartlett, University College London, where he founded and developed, with a team of colleagues, an original research programme that set the study of architecture on a firm scientific basis. His transformational way of thinking about buildings and cities influenced generations of scholars, researchers and practitioners within the built environment disciplines and way beyond – in fields ranging from archaeology and biology to physics and zoology.

Space Syntax: Selected papers by Bill Hillier provides a canon of works that reflects the progression of Hillier’s ideas from the early publications of the 1970s to his most recent work, published before his death in 2019. This selection of influential works ranges from his papers on architecture as a professional and research discipline, through to his later papers that present a theory of the spatial structure of the city and its social functions. By bringing together writing from across his career-span of half a century, with specially commissioned introductions by a wide range of international experts in the field, we are able to contextualise and show the range and evolution of Hillier’s key ideas.

Re-Centring the City

What is the role of monumentality, verticality and centrality in the twenty-first century? Are palaces, skyscrapers and grand urban ensembles obsolete relics of twentieth-century modernity, inexorably giving way to a more humble and sustainable de-centred urban age? Or do the aesthetics and politics of pomp and grandiosity rather linger and even prosper in the cities of today and tomorrow?

Re-Centring the City zooms in on these questions, taking as its point of departure the experience of Eurasian socialist cities, where twentieth-century high modernity arguably saw its most radical and furthest-reaching realization. It frames the experience of global high modernity (and its unravelling) through the eyes of the socialist city, rather than the other way around: instead of explaining Warsaw or Moscow through the prism of Paris or New York, it refracts London, Mexico City and Chennai through the lens of Kyiv, Simferopol and the former Polish shtetls. This transdisciplinary volume re-centres the experiences of the ‘Global East’, and thereby our understanding of world urbanism, by shedding light on some of the still-extant (and often disavowed) forms of ‘zombie’ centrality, hierarchy and violence that pervade and shape our contemporary urban experience.

Resisting Postmodern Architecture

Since its first appearance in 1981, critical regionalism has enjoyed a celebrated worldwide reception. The 1990s increased its pertinence as an architectural theory that defends the cultural identity of a place resisting the homogenising onslaught of globalisation. Today, its main principles (such as acknowledging the climate, history, materials, culture and topography of a specific place) are integrated in architects’ education across the globe. But at the same time, the richer cross-cultural history of critical regionalism has been reduced to schematic juxtapositions of ‘the global’ with ‘the local’.

Retrieving both the globalising branches and the overlooked cross-cultural roots of critical regionalism, Resisting Postmodern Architecture resituates critical regionalism within the wider framework of debates around postmodern architecture, the diverse contexts from which it emerged, and the cultural media complex that conditioned its reception. In so doing, it explores the intersection of three areas of growing historical and theoretical interest: postmodernism, critical regionalism and globalisation.

Based on more than 50 interviews and previously unpublished archival material from six countries, the book transgresses existing barriers to integrate sources in other languages into anglophone architectural scholarship. In so doing, it shows how the ‘periphery’ was not just a passive recipient, but also an active generator of architectural theory and practice. Stylianos Giamarelos challenges long-held ‘central’ notions of supposedly ‘international’ discourses of the recent past, and outlines critical regionalism as an unfinished project apposite for the 21st century on the fronts of architectural theory, history and historiography.

Praise for Resisting Postmodern Architecture

‘This in-depth scholarly enquiry is not merely a history of postmodernism, but also an alternative history of modern Greek architecture, a commentary on architecture’s media production, and a study of operative criticism.’
Journal of Architecture

‘Giamarelos reflects upon why Frampton’s critical regionalism continues to endure, particularly as a template for an engaged practice on the part of architects around the world today. He points to aspects of Frampton’s ideas, such as a respect for nature, local landscapes and site conditions, which easily segue to the pressing contemporary concerns regarding sustainability and climate change. For these reasons, Resisting Postmodern Architecture is a worthy, relevant and innovative work of scholarship.’
Mary Pepchinski

‘Reading Stelios Giamarelos’ book has been inspiring and informative. His book covers the last 40 years. In that time there have been many significant developments and innovations in architectural history, addressing, for example, architectural authorship and the construction site. But the building itself is noticeably absent from some contemporary architectural histories. In contrast, nuanced appreciation and critical analysis of specific buildings is crucial to Giamarelos’ argument. His choice is apt because he focuses on the Greek architects Suzana and Dimitris Antonakakis, to whom the term ‘critical regionalism’ was first applied by Tzonis and Lefaivre in 1981. Giamarelos’ careful study of specific projects draws forth many wonderfully rich and subtle insights. He offers a fuller picture of the Antonakakis’ work, using their denial of their later projects to his advantage. His analysis also helps to explain the ways that architects conceive their designs. Although his book is entitled Resisting Postmodern Architecture, Giamarelos sidesteps stylistic classifications by searching for the cultural, social, and political contexts that underpin them.

In the conclusion, he intriguingly becomes an advocate for a new critical regionalism in our current context. Rather than a discreet historical period he recognises that critical regionalism can be understood as incomplete and unfinished. Revisiting critical regionalism, he proposes that its present-day reinterpretation needs to discard its Western-centric focus. Identifying critical regionalism as an early example of environmental sustainability in mainstream architectural discourse, Giamarelos frames his book within the context of the current climate emergency. Although they do not use the term, a critical regionalist approach to climate change is seen in the work of the climate researchers who authored the influential Hartwell Paper in 2010, including Mike Hulme, Gwyn Prins and Steve Rayner. This approach is very much in the spirit of the critical regionalism Giamarelos so lucidly advocates.’
Jonathan Hill, Professor of Architecture and Visual Theory, The Bartlett School of Architecture, UCL

‘If architectural historians embrace the seven points of Giamarelos’s manifesto remains to be seen, but the value of the history the book tells is abundantly clear, given the lack of a history of critical regionalism before it.’
A Weekly Dose of Architecture Books

‘Architects who appreciate Kenneth Frampton’s theorizing of critical regionalism starting in the 1980s should read Stylianos Giamarelos’s scholarly book that explores and recenters the formulation of critical regionalism by Alexander Tzonis and Liane Lefaivre ahead of Frampton.’
A Weekly Dose of Architecture Books’ Favorite Books of 2023

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