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Conflict, Heritage and World-Making in the Chaco

Conflict, Heritage and World-Making in the Chaco documents and interprets the physical remains and afterlives of the Chaco War (1932–35) – known as South America’s first ‘modern’ armed conflict – in what is now present-day Paraguay. It focuses not only on archaeological remains as conventionally understood, but takes an ontological approach to heterogeneous assemblages of objects, texts, practices and landscapes shaped by industrial war and people’s past and present engagements with them. These assemblages could be understood to constitute a ‘dark heritage’, the debris of a failed modernity. Yet it is clear that they are not simply dead memorials to this bloody war, but have been, and continue to be active in making, unmaking and remaking worlds – both for the participants and spectators of the war itself, as well as those who continue to occupy and live amongst the vast accretions of war matériel which persist in the present.

Framing the study as an exploration of modern, industrialised warfare as Anthropocene ‘hyperobject’ (Morton 2013), This book shows how the material culture and heritage of modern conflict fuse together objects, people and landscapes, connecting them physically and conceptually across vast, almost unimaginable distances and time periods. It offers a unique perspective on the heritage of conflict, the natural environment, practices of recycling, the concept of time, and the idea of the ‘Anthropocene’ itself, as seen through the lens of the material legacies of war, which remain firmly and stubbornly embedded in the present and which continue to actively shape the future.

The book makes a major contribution to key debates in anthropology, archaeology, environmental humanities, critical heritage and material culture studies on the significance of conflict in understanding the Anthropocene, and the roles played by its persistent heritages in assembling worlds.

Ancient Identities in Britain

How are ideas about Iron Age and Roman pasts relevant to people in contemporary Britain? And how do the interests and ideologies of our own society shape the way we present, curate and understand these histories? This book is the first detailed study to explore these questions. It addresses how Iron Age and Roman heritage in Britain is conceived and understood today and sheds new light on the continued social significance of these ancient histories.

Ancient Identities in Britain investigates how ideas about the Iron Age and Roman past remain socially relevant: how they are studied in UK classrooms and presented in the media, and how they are projected by ancient monuments, open-air museums, re-enactments, living history exhibits and community projects across England, Scotland and Wales. Adding to this survey, fieldwork and interviews at five heritage venues, including Vindolanda, Castell Henllys and Butser Ancient Farm, reveal the principles and motivations of professional staff and different styles of presentation for the public. An engaging and nuanced account of everyday practices, this study sheds new light on the processes through which heritage has been made. Throughout, Ancient Identities in Britain explores the actions, ideas and material conditions through which these periods become, and have become, heritage in the present, and investigates how contemporary social practices are transformed through encounters with material traces and conceptual legacies.

War Essays

Cover of the book War Essays by Zainab Bahrani, published by UCL Press. The cover features an abstract, burnt and weathered parchment design with fragments of red and black imagery.

More than 20 years have passed since Iraq was invaded in an illegal war, justified on the basis of falsified evidence. Operation Iraqi Freedom led to untold human suffering and massive destruction, the ruinous consequences of which persist to this very day. The war and occupation also had a devastating impact on the history and heritage of Iraq, a land ironically seen as the cradle of civilisation. The scale of theft and destruction of heritage sent shockwaves around the world that had radical consequences for the trade in antiquities and museum practices across the globe, and contributed to a paradigm shift in the discipline of archaeology.

In War Essays Zainab Bahrani charts the devastation, cultural cleansing and targeted erasure of Iraq’s past, and argues that the topics of archaeology, history and memory must be analysed within the larger geopolitical issues of the contemporary Middle East. The essays present a counter-narrative of events that historicize the position of the historian and illustrate the enduring colonial practices of archaeology. Set within a narrative that reflects at once upon the violence of war and the processes of writing, an archaeologist’s personal journey unfolds. War Essays intertwines the autobiographical with the historical and analytical aspects of scholarship, weaving an eye-witness account of war with theoretical discussions around writing, the relationship of monuments, historical landscapes and memory, and how one’s sense of place in the world is disrupted by war.

Heritage and Nationalism

How was the Roman Empire invoked in Brexit Britain and in Donald Trump’s United States of America, and to what purpose? And why is it critical to answer these kinds of questions? Heritage and Nationalism explores how people’s perceptions and experiences of the ancient past shape political identities in the digital age. It particularly examines the multiple ways in which politicians, parties and private citizens mobilise aspects of the Iron Age, Roman and Medieval past of Britain and Europe to include or exclude ‘others’ based on culture, religion, class, race, ethnicity, etc.

Chiara Bonacchi draws on the results of an extensive programme of research involving both data-intensive and qualitative methods to investigate how pre-modern periods are leveraged to support or oppose populist nationalist arguments as part of social media discussions concerning Brexit, the Italian Election of 2018 and the US-Mexican border debate in the US. Analysing millions of tweets and Facebook posts, comments and replies, this book is the first to use big data to answer questions about public engagement with the past and identity politics. The findings and conclusions revise and reframe the meaning of populist nationalism today and help to build a shared basis for the democratic engagement of citizens in public life in the future. The book offers a fascinating and unmissable read for anyone interested in how the past and its contemporary legacy, or ‘heritage’, influence our ‘political’ thinking and feeling in a time of hyper-interconnectivity.

Mobile Museums

Mobile Museums presents an argument for the importance of circulation in the study of museum collections, past and present. It brings together an impressive array of international scholars and curators from a wide variety of disciplines – including the history of science, museum anthropology and postcolonial history – to consider the mobility of collections. The book combines historical perspectives on the circulation of museum objects in the past with contemporary accounts of their re-mobilisation, notably in the context of Indigenous community engagement. Contributors seek to explore processes of circulation historically in order to re-examine, inform and unsettle common assumptions about the way museum collections have evolved over time and through space.

By foregrounding questions of circulation, the chapters in Mobile Museums collectively represent a fundamental shift in the understanding of the history and future uses of museum collections. The book addresses a variety of different types of collection, including the botanical, the ethnographic, the economic and the archaeological. Its perspective is truly global, with case studies drawn from South America, West Africa, Oceania, Australia, the United States, Europe and the UK. Mobile Museums helps us to understand why the mobility of museum collections was a fundamental aspect of their history and why it continues to matter today.

Materialising the Roman Empire

Materialising the Roman Empire defines an innovative research agenda for Roman archaeology, highlighting the diverse ways in which the Empire was made materially tangible in the lives of its inhabitants. The volume explores how material culture was integral to the processes of imperialism, both as the Empire grew, and as it fragmented, and in doing so provides up-to-date overviews of major topics in Roman archaeology.

Each chapter offers a critical overview of a major field within the archaeology of the Roman Empire. The book’s authors explore the distinctive contribution that archaeology and the study of material culture can make to our understanding of the key institutions and fields of activity in the Roman Empire. The initial chapters address major technologies which, at first glance, appear to be mechanisms of integration across the Roman Empire: roads, writing and coinage. The focus then shifts to analysis of key social structures oriented around material forms and activities found all over the Roman world, such as trade, urbanism, slavery, craft production and frontiers. Finally, the book extends to more abstract dimensions of the Roman world: art, empire, religion and ideology, in which the significant themes remain the dynamics of power and influence. The whole builds towards a broad exploration of the nature of imperial power and the inter-connections that stimulated new community identities and created new social divisions.

Ethnographic Experiments with Artists, Designers and Boundary Objects

Ethnographic Experiments with Artists, Designers and Boundary Objects is a lively investigation into ethnographic practice. Richly illustrated, it invites the reader to reflect on the skills of collaboration and experimentation in fieldwork and in gallery curation, thereby expanding our modes of knowledge production.

Francisco Martínez increases our understanding of the relationship between contemporary art, design and anthropology, imagining creative ways to engage with the contemporary world and developing research infrastructures across disciplines. He opens up a vast field of methodological explorations, providing a language to reconsider ethnography and objecthood while producing knowledge with people of different backgrounds.

At the heart of this study are the possibilities for transdisciplinary collaborations, the opportunity to use exhibitions as research devices, and the role of experimentation in the exhibition process. It is critical reading for researchers of Anthropology, Material Culture and Museum Studies, and for any reader with an interest in ethnographic methods.

Worlds in Miniature

Miniaturisation is the creation of small objects that resemble larger ones, usually but not always for purposes different to those of the larger original object. Worlds in Miniature brings together researchers working across various regions, time periods and disciplines to explore the subject of miniaturisation as a material culture technique. It offers original contribution to the field of miniaturisation through its broad geographical scope, interdisciplinary approach, and deep understanding of miniatures and their diverse contexts.

Beginning with an introduction by the editors, which offers one possible guide to studying and comparing miniatures, the following chapters include studies of miniature Neolithic stone circles on Exmoor, Ancient Egyptian miniature assemblages, miniaturisation under colonialism as practiced by the Makah People of Washington State, miniature watercraft from India, miniaturised contemporary tourist art of the Warao people of Venezuela, and dioramas on display in the Science Museum.

Interspersing the chapters are interviews with miniature-makers, including two miniature boat-builders at the National Maritime Museum Cornwall and a freelance architectural model-maker. Professor Susanne Küchler concludes the volume with a theoretical study summarising the current state of miniaturisation as a research discipline. The interdisciplinary nature of the volume makes it suitable reading for anthropologists, historians, archaeologists and artists, and for researchers in related fields across the social sciences.

Water Societies and Technologies from the Past and Present

Today our societies face great challenges with water, in terms of both quantity and quality, but many of these challenges have already existed in the past. Focusing on Asia, Water Societies and Technologies from the Past and Present seeks to highlight the issues that emerge or re-emerge across different societies and periods, and asks what they can tell us about water sustainability. Incorporating cutting-edge research and pioneering field surveys on past and present water management practices, the interdisciplinary contributors together identify how societies managed water resource challenges and utilized water in ways that allowed them to evolve, persist, or drastically alter their environment.

The case studies, from different periods, ancient and modern, and from different regions, including the Indus Basin, the Yangtze River, the Mesopotamian floodplain, the early Islamic city of Sultan Kala in Turkmenistan, and ancient Korea, offer crucial empirical data to readers interested in comparing the dynamics of water management practices across time and space, and to those who wish to understand water-related issues through conceptual and quantitative models of water use. The case studies also challenge classical theories on water management and social evolution, examine and establish the deep historical roots and ecological foundations of water sustainability issues, and contribute new grounds for innovations in sustainable urban planning and ecological resilience.

Things that Travelled

Recent research has demonstrated that, in the Roman, Late Antique, Early Islamic and Medieval worlds, glass was traded over long distances, from the Eastern Mediterranean, mainly Egypt and Israel, to Northern Africa, the Western Mediterranean and Northern Europe. Things that Travelled, a collaboration between the UCL Early Glass Technology Research Network, the Association for the History of Glass and the British Museum, aims to build on this knowledge.

Covering all aspects of glass production, technology, distribution and trade in Roman, Byzantine and Early Medieval/Early Islamic times, including studies from Britain, Egypt, Cyprus, Italy and many others, the volume combines the strengths of the sciences and cultural studies to offer a new approach to research on ancient glass. By bringing together such a varied mix of contributors, specialising in a range of geographical areas and chronological time frames, this volume also offers a valuable contribution to broader discussions on glass within political, economic, cultural and historical arenas.

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