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Book cover for Millionaire Shopping open access

Publication date: 25 September 2025

DOI: https://doi.org/10.14324/111.9781800089013

Creative Commons Attribution-NonCommercial 4.0 International License

Millionaire Shopping

The collections of Alfred Morrison, 1821-1897

Caroline Dakers (Editor)

Millionaire Shopping is the first full, detailed and original account of the huge and unstoppable collecting and patronage of Alfred Morrison (1821-1897) who was one of the most important but lesser-known Victorian collectors and patrons of the arts. Morrison was an obsessive; his collections evidence the extravagant deployment of limitless wealth. This wonderfully illustrated book includes images from public and private collections across the world, many of which have never previously been published. Each chapter is written by an expert in the field and dedicated to a particular aspect of Morrison’s collecting and patronage.

Morrison collected Old Masters and contemporary art, thousands of engraved portraits, autograph manuscripts, coins, medals and Imperial Chinese porcelain. His manuscript collection, the largest in private hands, included letters from Leonardo da Vinci and Jane Austen. He commissioned exquisite pieces from artists such as Charles Lepec and Plácido Zuloaga. He also commissioned furniture from Owen Jones, including the unique ‘Alhambra’ ceilings in his London house. On his Wiltshire estate, he bred prize-winning sheep and commissioned cottages from George Devey. Morrison’s collections were dispersed worldwide and the recent re-appraisal of his taste means that many of his prized objects are now worth millions of pounds.

List of figures
Contributors
Acknowledgements

1 Introduction
Caroline Dakers

Part I: Context

2 Alfred Morrison (1821-1897) the making of a collector
Caroline Dakers

3 Alfred Morrison as a patron of architecture
Neil Burton

4 Alfred Morrison’s Old Master painting collection in context
Susanna Avery-Quash

Part II: Focus

5 Alfred Morrison at the 1862 London International Exhibition
Martin P. Levy

6 From Yuanmingyuan to Fonthill: buying Chinese ceramics in 1860s and the invention of provenance
Stacey Pierson

7 Alfred Morrison and his Summer Palace collection: sources and interpretations
Katrina Hill

8 Alfred Morrison’s furniture for Fonthill and 16 Carlton House Terrace: designed by Owen Jones and manufactured by Jackson & Graham
Clive Edwards

9 Stampeding cattle, absurd horses and high-bred sheep: Alfred Morrison as patron and collector of animal art
Alison E. Wright

10 ‘Fine old pictures’: on the trail of Alfred Morrison’s Old Masters
Emily Burns

11 Reconstructing Alfred Morrison’s sculpture collection
Alex Kader

12 Alfred Morrison’s print collection
David Alexander

13 Alfred Morrison’s autograph manuscripts
Philip S. Palmer and Daria Rose Foner

14 ‘Lost if you leave me’: Alfred Morrison, Placido Zuloaga, collecting, and not-knowing
Dror Elkvity

15 Richard Dadd and the Morrison family: a tale of two masterpieces
Nicholas Tromans

16 Mabel Morrison: patron and collector of lace and textiles
Molly-Claire Gillett

Part III: Dispersal

17 Alfred Morrison’s numismatic collection: recollecting the mid-twentieth century sales
Richard Falkiner and Caroline Dakers

18 Treasures from the Alfred Morrison collection at the Metropolitan Museum of Art
Daniëlle Kisluk-Grosheide

19 The dispersal of Alfred Morrison’s collections, an overview
Caroline Dakers

Appendix: sales of Alfred Morrison’s collections by his widow and his descendants (possibly incomplete)
Index

DOI: 10.14324/111.9781800089013

Publication date: 25 September 2025

PDF ISBN: 9781800089013

EPUB ISBN: 9781800089020

Hardback ISBN: 9781800088993

Paperback ISBN: 9781800089006

Caroline Dakers (Editor)

Caroline Dakers is Professor Emerita of Cultural History at Central Saint Martins (University of the Arts London). She is the editor of Fonthill Recovered: A Cultural History (2018) by UCL Press.

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