Sweeping secularisation of Catholic Church property across Europe in the late 18th and early 19th centuries brought countless medieval and Renaissance manuscripts into private hands. While the text of these books was often obsolete, their jewel-like illuminations appealed to collectors and the market for leaves, miniatures, initials or ornamented borders cut out of illuminated manuscripts took off in the mid-1820s. Today, thousands of manuscript cuttings are scattered in collections around the world: a global jigsaw.

With over 2,000 examples, the V&A has one of the largest collections of this kind, originally assembled to form a visual sourcebook for contemporary artists and craftspeople. Using this collection as a guiding thread, Fragmented Illuminations seeks to contextualise cuttings and chart their changing meanings and functions from the time of their making to their unexpected afterlives in the hands of private collectors, dealers, and Europe’s museums of applied arts. To complete the picture, new interdisciplinary research sheds light on the manuscripts they came from, as well as the artists and patrons involved in their making. The book demonstrates how these complex objects can only be understood by mobilising knowledge from many disciplines, including art history, codicology, liturgiology, musicology, palaeography, conservation science,and provenance research.