A variety of traditions have developed around the world to promote citizenship education, but there is no established discourse addressing the role of knowledge and understanding underpinning citizenship. Educating for Citizenship begins with an accessible narrative around theories of knowledge and how they apply in citizenship education, then centres on a series of rich and detailed case studies to develop a framework that is practical and relevant to teachers in planning their curricula and pedagogy. These include contemporary issues such as climate change and sustainability, racism, human rights, peace and critical media literacy. This framework of professional knowledge will be useful for teacher educators in constructing their programmes, and for student teachers to demonstrate what knowledge underpins effective practice. It will also be a valuable source for postgraduate students and academics in the field by providing the first sustained discussion of knowledge in citizenship education.

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Drawing on Bernstein’s concept of recontextualisation and theories of teacher agency, the book examines how teachers navigate the boundaries between academic disciplines, school subjects and everyday knowledge. Through empirical case studies from England, Finland and Sweden, it illustrates how teachers’ decisions are shaped by national expectations, institutional frameworks and classroom dynamics. Combining Anglophone and Nordic traditions in subject teaching with curriculum theory and classroom research, the book offers a theoretically grounded yet practical account of how teachers recontextualise knowledge. It develops new insights into teacher agency and recontextualisation which are highly relevant to teacher education, curriculum design and educational policy. By focusing on real-life teaching across a range of subjects, the book deepens our understanding of how powerful knowledge is brought into classrooms and how teachers can be supported in this vital work.

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Knowledge and Knowing in Media and Film Studies is the first book to grapple with the question for these two related subjects. Steve Connolly argues that, while Media and Film Studies each have a clear epistemological base, consideration of craft skills alongside factual knowledge and criticality has led to the development of different criteria for what constitutes valuable knowledge than in traditional school subjects. The book problematises this difference through a genealogy of both subjects as they appear in the English school curriculum, charting their historical and disciplinary origins within that system. In so doing it finds that, far from being ‘new’ subjects, Media and Film Studies have parallel histories with more established subjects. Using a range of primary and secondary data, including interviews with media and film teachers, case studies and historical sources, the book provides an account of knowledge and knowing in school Media Studies and Film Studies, which both consolidates existing views and proposes some new perspectives.

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History and the Climate Crisis makes the case for including an environmental focus in the secondary school history curriculum by locating its arguments within established historiographical and revisionist debates. It provides much-needed subject knowledge in an area that is new for most history teachers. The author considers the disciplinary and pedagogical challenges and demonstrates how including an environmental focus can strengthen students’ disciplinary knowledge. She also builds her argument through the use of many examples and offers practical strategies for use in classrooms, including developed enquiries suitable for the secondary history curriculum. The book focuses on environmental history within a strong subject bound curriculum and will be relevant to teachers, academics and policymakers in the UK and internationally.

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The blurring of distinctions between pedagogy and curriculum, and between experience and knowledge, has served up a confusing message for teachers about the part that each plays in the education of children. Schools teach through subjects, but there is little consensus about what constitutes a subject and what they are for. This book aims to dispel confusion through a robust rationale for what schools should teach that offers key understanding to teachers of the relationship between knowledge (what to teach) and their own pedagogy (how to teach), and how both need to be informed by values of intellectual freedom and autonomy.

This second edition includes new chapters on Chemistry, Drama, Music and Religious Education, and an updated chapter on Biology. A revised introduction reflects on emerging discourse around decolonizing the curriculum, and on the relationship between the knowledge that children encounter at school and in their homes.

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Knowing History in Schools explores these issues in the context of teaching and learning history through a dialogue between the eminent sociologist of curriculum Michael Young, and leading figures in history education research and practice from a range of traditions and contexts. With a focus on Young’s ‘powerful knowledge’ theorisation of the curriculum, and on his more recent articulations of the ‘powers’ of knowledge, this dialogue explores the many complexities posed for history education by the challenge of building children’s historical knowledge and understanding. The book builds towards a clarification of how we can best conceptualise knowledge-building in history education. Crucially, it aims to help history education students, history teachers, teacher educators and history curriculum designers navigate the challenges that knowledge-building processes pose for learning history in schools.

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