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Emergent Histories

For generations, artefacts and information of all kinds have been assembled in diverse collections across the UK. Museum objects, archives, pictures, moving images and media, records of historical places, even datasets derived from state, commercial and individual activity, all have been catalogued and stored. Yet in most museums and galleries, only a tiny proportion of physical collections are shown in public displays, with vast stores kept in reserve for research, although researchers rarely come. Great repositories of cultural capital, the knowledge they hold has been largely untapped – until now.

For nearly half a century, heritage organisations have created digital inventories of their collections. Inspired by the prospect of combining these records so they may be explored together, the Congruence Engine research project set out to build digital bridges and pathways between collections dedicated to the UK’s industrial history for textiles, energy and communications. Launched in 2021, Congruence Engine navigated the generative AI revolution that commenced a year later. As a result, Emergent Histories is by turns a reflection on the historical and curatorial possibilities arising from collections, a digital history how-to manual, and a narrative of the tribulations of AI early adopters. It will be of interest to historians, curators, students – and to anyone who cares for the industrial aspects of our past.

Digital Repertoires

Digital Repertoires explores the intersection between ageing and technology, presenting the concept of ‘digital repertoire’ as a powerful tool for researchers across disciplines such as anthropology, sociology, gerontology, public policy, communication studies and design. This book offers new theoretical and empirical insights, and highlights the diverse ways in which older adults engage with digital technologies across five continents. With studies from Australia, Brazil, Finland, Japan, the Philippines and Sweden, the book provides a global and cross-cultural analysis on a pressing issue.

The notion of the digital repertoire has broad appeal, making this book relevant not only to scholars and practitioners focused on ageing but to anyone interested in the heterogeneity of digital technology use across different age groups and cultural contexts. With a balanced approach that combines conceptual, theoretical and empirical perspectives, this volume is an essential resource for teaching, research and practice in the ever-evolving field of digital technology studies, as well as the development of technology for older adults.

Informational Peripheries

Urbanisation and urban life in a digital age needs to be examined through a lens of information – encompassing both its politics and its geographies. The periphery in an information age is located simultaneously across the geographic centre and edge, across social, material and digital worlds. Moving beyond current scholarship in urban and regional studies, this book presents a case for ‘informational peripheries’ as an analytical lens to understand the uneven, fragmented and disconnected geographies of urban peripheries in the Global South.

While ‘unplanned urbanisation’ has been a key discourse in the production of urban periphery in the Global South, Informational Peripheries argues that the coming of an informational age destabilises the geographic location of the urban periphery. Informational peripheries capture the complexities of digital, material and social dispersal and fragmentation that emerge from informational extraction, redlining, manipulation and bypassing. Exclusions are marked by both geographic and informational distance from the state. It includes subjects who are uncountable, as well as territories that are digitally, socially and materially unmappable. This approach provides an important vantage point for interrogating the political and technological apparatuses that are reconfiguring the notion of the urban in a digital age.

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