Skip to main content

Anti-Atlas

The invasion of Ukraine is the latest in a series of upheavals that have made eastern Europe a telling point from which to consider the place of area studies in the construction of knowledge about the world. The politics of academic knowledge about ‘areas’ now feels more urgent than ever.

Anti-Atlas plays with the politics of the conventional atlas, with its assumptions about knowledge and power, its hierarchies of value, and its simplifications. It presents a collection of essays written by an eclectic mix of authors from Europe, both east and west, the UK and North America. These entries analyse a necessarily incomplete selection of topics, but they all engage with the question of how an approach to area can be ‘critical’ – and each entry demonstrates different aspects of criticality. The editors develop a manifesto for such criticality, calling attention to positions that are heterodox, area-informed or vernacular, ‘undisciplined’, and collaborative. Through a variety of genres, including the scholarly article, the travel guide, autobiographical reflections and data visualisations, Anti-Atlas provides readers with a diverse series of intellectual resources, asking them to think critically about the ways in which we construct the world by dividing it into pieces.

Russian Pendulum

In Russian Pendulum, Alena Ledeneva takes readers on a compelling journey to Russia, where tradition, modernity, power and people collide. Through the prism of ambivalence, the author unveils patterns that have shaped Russia’s politics and society for centuries, pointing to an intricate system of informal networks that are held together by practices of cooptation, control and camouflage.

For readers seeking to look beyond stereotypes, this book provides a brief yet nuanced exploration of Russia’s complexity and unpredictability. The ever-moving Russian pendulum dwells on paradoxes and the hidden practices that resolve them. Patterns such as doublethink, double standards, zigzags, cascades, waves and tides are captured in the author’s own artworks that introduce each chapter.

Nine musical compositions by Benjamin Woodgates add a further dimension, exploring these paradoxes, practices and patterns, and realising them in sound.

Drawing on the Global Informality Project (www.in-formality.com), the artwork and the music, Russian Pendulum establishes connections between Russia’s distinctive paradoxes and broader patterns of informality found worldwide. It is ideal for students, scholars and anyone seeking to understand hidden yet increasingly powerful forces.

Sign up to our newsletter

Don't miss out!
Subscribe to the UCL Press newsletter for the latest open access books,
journal CfPs, news and views from our authors and much more!