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Classics and Race

Classics and Race: A historical reader provides scholars and students with an exploratory intellectual history of the complex relationships between Classics and racist/anti-racist thought-systems. It collects together a series of readings of historical primary sources from the late medieval period until the mid-twentieth century, bringing to light how the classical tradition and post-ancient constructions of race have informed each other. Each reading is accompanied by an essay, written by a leading specialist who offers a discussion of the primary source.

The volume is arranged chronologically, from the late medieval period to the Renaissance, crucial for understanding classical humanism, and on to the eighteenth century with texts foundational to the modern emergence of classical studies as a discipline and its relationship to the transatlantic slave trade. The essays show how the classical tradition has continuously been structured by debates about race, racism and anti-racism. Including voices from Africa, Asia, the Caribbean, Europe and North and South America, the essays demonstrate why the primary text is important for understanding this intellectual and cultural history, and the global reach of the classical tradition.

The First Hebrew Shakespeare Translations

This first bilingual edition and analysis of the earliest Shakespeare plays translated into Hebrew – Isaac Edward Salkinson’s Ithiel the Cushite of Venice (Othello) and Ram and Jael (Romeo and Juliet) – offers a fascinating and unique perspective on global Shakespeare. Differing significantly from the original English, the translations are replete with biblical, rabbinic, and medieval Hebrew textual references and reflect a profoundly Jewish religious and cultural setting. The volume includes the full text of the two Hebrew plays alongside a complete English back-translation with a commentary examining the rich array of Hebrew sources and Jewish allusions that Salkinson incorporates into his work. The edition is complemented by an introduction to the history of Jewish Shakespeare reception in Central and Eastern Europe; a survey of Salkinson’s biography including discussion of his unusual status as a Jewish convert to Christianity; and an overview of his translation strategies. The book makes Salkinson’s pioneering work accessible to a wide audience, and will appeal to anyone with an interest in multicultural Shakespeare, translation studies, the development of Modern Hebrew literature, and European Jewish history and culture.

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