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Literary Translation in Latin America in the Twenty-First Century

Literary Translation in Latin America in the Twenty-First Century provides an in-depth exploration of the current landscape of literary translation studies and translation practices across Latin America. The unparalleled linguistic diversity of Latin America, with nearly 500 languages spoken, makes translation a vital aspect of daily life, which in turn fosters a dynamic field of literary experimentation, attracting intense scholarly inquiry unique to the region. This rich linguistic mosaic includes the colonial legacies of Spanish and Portuguese; European languages that persist in Brazil, such as East Pomeranian; African languages such as Kimbundu and Yoruba, incorporated into standard Portuguese and used in religious practices; as well as indigenous languages including Quechua and Guarani. Furthermore, in a region where Spanish and Portuguese are predominant, translation is pivotal not only for facilitating internal communication, but also for engaging with global cultures.

This volume argues that translation in Latin America is not only an academic exercise but a vital, everyday practice that facilitates dialogue within the region, as well as with the wider world. It emphasises that the practice of translators, and the methods of scholars are not limited to established theories, but require innovative practices and methods to explore lesser-known traditions, and to merge orthodox studies with the cultural insights of Indigenous peoples.

Posthumanism and the Graphic Novel in Latin America

Latin America is experiencing a boom in graphic novels that are highly innovative in their conceptual play and their reworking of the medium. Inventive artwork and sophisticated scripts have combined to satisfy the demand of a growing readership, both at home and abroad. Posthumanism and the Graphic Novel in Latin America, which is the first book-length study of the topic, argues that the graphic novel is emerging in Latin America as a uniquely powerful force to explore the nature of twenty-first century subjectivity. The authors place particular emphasis on the ways in which humans are bound to their non-human environment, and these ideas are productively drawn out in relation to posthuman thought and experience. The book draws together a range of recent graphic novels from Argentina, Brazil, Chile, Mexico and Uruguay, many of which experiment with questions of transmediality, the representation of urban space, modes of perception and cognition, and a new form of ethics for a

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