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Houses of Flood, Silt and Shadow

Houses of Flood, Silt and Shadow explores how architecture can engage with the performative and poetic to challenge dominant discourses that prioritize technological and scientific responses to the climate crisis. The book showcases how architecture that manifest conditions of the performative and poetic can foster embodied and emotional awareness of the environment – highlighting its fragility and unpredictability – to deepen our understanding of climate change.

The book operates as a critical and propositional enquiry, moving fluidly between architectural design practice, art practice, and historical and theoretical research. Structured around three main chapters, it focuses on four of Matthew Butcher’s speculative architectural design projects: Flood House (2016), Silt House (2015), Bang Bang House (2017) and Measure House (2017). These works exist as drawings, models and 1:1 built structures, and are presented in dialogue with the practices of environmental architects and artists who influenced them, such as architects Raimund Abraham and Gianni Pettena, artists Alan Kaprow and Robert Morris, and performance artist Joan Jonas. Butcher argues that these historical figures offer vital inspiration for alternative forms of architectural design today. Their work viscerally emphasizes – through physical and emotional experience – natural processes such as growth and decay, entropy, weather patterns and celestial forces.

Musical Cities

Musical Cities represents an innovative approach to scholarly research and dissemination. A digital and interactive ‘book’, it explores the rhythms of our cities, and the role they play in our everyday urban lives, through the use of sound and music.

Sara Adhitya first discusses why we should listen to urban rhythms in order to design more liveable and sustainable cities, before demonstrating how we can do so through various acoustic communication techniques. Using audio-visual examples, Musical Cities takes the ‘listener’ on an interactive journey, revealing how sound and music can be used to represent, compose, perform and interact with the city. Through case studies of urban projects developed in Paris, Perth, Venice and London, Adhitya demonstrates how the power of music, and the practice of listening, can help us to compose more accessible, inclusive, engaging, enjoyable, and ultimately more sustainable cities.

Fabricate 2011

FABRICATE is an international peer reviewed conference that takes place every three years with a supporting publication on the theme of Digital Fabrication. Discussing the progressive integration of digital design with manufacturing processes, and its impact on design and making in the 21st century, FABRICATE brings together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation. Discussion on key themes includes: how digital fabrication technologies are enabling new creative and construction opportunities from component to building scales, the difficult gap that exists between digital modelling and its realisation, material performance and manipulation, off-site and on-site construction, interdisciplinary education, economic and sustainable contexts. FABRICATE features cutting-edge built work from both academia and practice, making it a unique event that attracts delegates from all over the world. FABRICATE 2011, 2014 and 2017 are now all available to download free from UCL Press.

Fabricate 2014

FABRICATE is an international peer reviewed conference that takes place every three years with a supporting publication on the theme of Digital Fabrication. Discussing the progressive integration of digital design with manufacturing processes, and its impact on design and making in the 21st century, FABRICATE brings together pioneers in design and making within architecture, construction, engineering, manufacturing, materials technology and computation. Discussion on key themes includes: how digital fabrication technologies are enabling new creative and construction opportunities from component to building scales, the difficult gap that exists between digital modelling and its realisation, material performance and manipulation, off-site and on-site construction, interdisciplinary education, economic and sustainable contexts. FABRICATE features cutting-edge built work from both academia and practice, making it a unique event that attracts delegates from all over the world. FABRICATE 2011, 2014 and 2017 are now all available to download free from UCL Press.

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